Bagley, Desmond - The Golden Keel Read online

  Mussolini's missing treasure - three million pounds of it - lies hidden in Italy. A group of adventurers sets sail to track down the treasure and smuggle it out.

  But how?

  There are many enemies along the route-murderous ex-partisans, ruthless titled beauties, gangster smugglers - all of whom will stop at nothing for a chance to hi-jack a fortune...

  Desmond Bagley

  The Golden Keel (1963)

  BOOK ONE: THE MEN

  1. WALKER

  My name is Peter Halloran, but everyone calls me "Hal" excepting my wife, Jean, who always called me Peter. Women seem to dislike nicknames for their menfolk. Like a lot of others I emigrated to the "colonies" after the war, and I travelled from England to South Africa by road, across the Sahara and through the Congo. It was a pretty rough trip, but that's another story; it's enough to say that I arrived in Cape Town in 1948 with no job and precious little money.

  During my first week in Cape Town I answered several of the Sit. Vac. advertisements which appeared in the Cape Times and while waiting for answers I explored my environment. On this particular morning I had visited the docks and finally found myself near the yacht basin.

  I was leaning over the rail looking at the boats when a voice behind me said, "If you had your choice, which would it be?"

  I turned and encountered the twinkling eyes of an elderly man, tall, with stooped shoulders and grey hair. He had a brown, weather-beaten face and gnarled hands, and I estimated his age at about sixty.

  I pointed to one of the boats. "I think I'd pick that one," I said. "She's big enough to be of use, but not too big for single-handed sailing."

  He seemed pleased. "That's Graeia," he said. "I built her."

  " She looks a good boat," I said. "She's got nice lines."

  We talked for a while about boats. He said that he had a boatyard a little way outside Cape Town towards Milnerton, and that he specialised in building the fishing boats used by the Malay fishermen. I'd noticed these already; sturdy unlovely craft with high bows and a wheelhouse stuck on top like a chicken-coop, but they looked very seaworthy. Gracia was only the second yacht he had built.

  "There'll be a boom now the war's over," he predicted. "People will have money in their pockets, and they'll go in for yachting. I'd like to expand my activities in that direction."

  Presently he looked at his watch and nodded towards the yacht club. "Let's go in and have a coffee," he suggested.

  I hesitated. "I'm not a member,"

  "I am," he said. "Be my guest."

  So we went into the club house and sat in the lounge overlooking the yacht basin and he ordered coffee. By the way, my name's Tom Sanford."

  "I'm Peter Halloran."

  "You're English," he said. "Been out here long?"

  I smiled. "Three days."

  "I've been out just a bit longer -- since 1910." He sipped his coffee and regarded me thoughtfully. "You seem to know a bit about boats."

  "I've been around them all my life," I said. "My father had a boatyard on the east coast, quite close to Hull. We built fishing boats, too, until the war."

  "And then?"

  "Then the yard went on to contract work for the Admiralty," I said. "We built harbour defence launches and things like that -- we weren't geared to handle anything bigger." I shrugged. "Then there was an air-raid."

  "That's bad," said Tom. "Was everything destroyed?"

  "Everything," I said flatly. "My people had a house next to the yard -- that went, too. My parents and my elder brother were killed."

  "Christ!" said Tom gently. "That's very bad. How old were you?"

  "Seventeen," I said. "I went to live with an aunt in Hatfield; that's when I started to work for de Havilland -- building Mosquitos. It's a wooden aeroplane and they wanted people who could work in wood. All I was doing, as far as I was concerned, was filling in time until I could join the Army."

  His interest sharpened. "You know, that's the coming thing -- the new methods developed by de Havilland. That hot-moulding process of theirs -- d'you think it could be used in boat-building?"

  I thought about it. "I don't see why not -- it's very strong. We did repair work at Hatfield, as well as new construction, and I saw what happens to that type of fabric when it's been hit very hard. It would be more expensive than the traditional methods, though, unless you were mass-producing."

  "I was thinking about yachts," said Tom slowly. "You must tell me more about it sometime." He smiled. "What else do you know about boats?"

  I grinned. "I once thought I'd like to be a designer," I said.

  "When I was a kid -- about fifteen -- I designed and built cay own racing dinghy."

  "Win any races?"

  "My brother and I had 'em all licked," I said. "She was a fast boat. After the war, when I was cooling my heels waiting for my discharge, I had another go at it -- designing, I mean. I designed half a dozen boats -- it helped to pass the time."

  "Got the drawings with you?"

  "They're somewhere at the bottom of my trunk," I said. "I haven't looked at them for a long time."

  "I'd like to see them," said Tom. "Look, laddie; how would you like to work for me? I told you I'm thinking of expanding into the yacht business, and I could use a smart young fellow."

  And that's how I started working for Tom Sanford. The following day I went to the boatyard with my drawings and showed them to Tom. On the whole he liked them, but pointed out several ways in which economies could be made in the building. "You're a fair designer," he said. "But you've a lot to learn about the practical side. Never mind, we'll see about that. When can you start?"

  Going to work for old Tom was one of the best things I ever did in my life.

  II

  A lot of things happened in the next ten years -- whether I deserved them or not is another matter. It was good to work in a boatyard again. The skills I had learned from my father had not deserted me, and although I was a bit rusty to begin with, soon I was as good as any man in the yard, and maybe a bit better. Tom encouraged me to design, ruthlessly correcting my errors.

  "You've got a good eye for line," he said. "Your boats would be sweet sailers, but they'd be damned expensive. You've got to spend more time on detail; you must cut down costs to make an economical boat."

  Four years after I joined the firm Tom made me yard foreman, and just after that, I had my first bit of luck in designing. I submitted a design to a local yachting magazine, winning second prize and fifty pounds. But better still, a local yachtsman liked the design and wanted a boat built. So Tom built it for him and I got the designers' fee which went to swell my growing bank balance.

  Tom was pleased about that and asked if I could design a class boat as a standard line for the yard, so I designed a six-tonner which turned out very well We called it the Penguin Class and Tom built and sold a dozen in the first year at £2000 each. I liked the boat so much that I asked Tom if he would build one for me, which he did, charging a rock-bottom price and letting me pay it off over a couple of years.

  Having a design office gave the business a fillip. The news got around and people started to come to me instead of using British and American designs. That way they could argue with their designer. Tom was pleased because most of the boats to my design were built in the yard.

  In 1954 he made me yard manager, and in 1955 he offered me a partnership.

  "I've got no one to leave it to," he said bluntly. "My wife's dead and I've got no sons. And I'm getting old."

  I said, "You'll be building boats when you're a hundred, Tom."

  He shook his head. "No, I'm beginning to feel it now." He wrinkled his brow. "I've been going over the books and I find that you
're bringing more business into the firm than I am, so I'll go easy on the money for the partnership. It'll cost you five thousand pounds."

  Five thousand was ridiculously cheap for a half-share in such a flourishing business, but I hadn't got anywhere near that amount. He saw my expression and his eyes crinkled. "I know you haven't got it -- but you've been doing pretty well on the design side lately. My guess is that you've got about two thousand salted away."

  Tom, shrewd as always, was right. I had a couple of hundred over the two thousand. "That's about it," I said.

  "All right. Throw in the two thousand and borrow another three from the bank. They'll lend it to you when they see the books. You'll be able to pay it back out of profits in under three years, especially if you carry out your plans for that racing dinghy. What about it?"

  "O.K., Tom," I said. "It's a deal."

  • The racing dinghy Tom had mentioned was an idea I had got by watching the do-it-yourself developments in England. There are plenty of little lakes on the South African high-veld and I thought I could sell small boats away from the sea if I could produce them cheaply enough -- and I would sell either the finished boat or a do-it-yourself building kit for the impoverished enthusiast.

  We set up another woodworking shop and I designed the boat which was the first of the Falcon Class. A young fellow, Harry Marshall, was promoted to run the project and he did very well. This wasn't Tom's cup of tea and he stayed clear of the whole affair, referring to it as "that confounded factory of yours." But it made us a. lot of money.

  It was about this time that I met Jean and we got married. My marriage to Jean is not really a part of this story and I wouldn't mention it except for what happened later. We were very happy and very much in love. The business was doing well -- I had a wife and a home -- what more could a man wish for? .

  Towards the end of 1956 Tom died quite suddenly of a heart attack. I think he must have known that his heart wasn't in good shape although he didn't mention it to anyone. He left his share in the business to his wife's sister. She knew nothing about business and less about boat-building, so we got the lawyers on to it and she agreed to sell me her share. I paid a damn' sight more than the five thousand I had paid Tom, but it was a fair sale although it gave me financier's fright and left me heavily in debt to the bank.

  I was sorry that Tom had gone. He had given me a chance that fell to few young fellows and I felt grateful. The yard seemed emptier without him pottering about the slips.

  The yard prospered and it seemed that my reputation as a designer was firm, because I got lots of commissions. Jean took over the management of the office, and as I was tied to the drawing board for a large proportion of my time I promoted Harry Marshall to yard manager and he handled it very capably.

  Jean, being a woman, gave the office a thorough spring cleaning as soon as she was in command, and one day she unearthed an old tin box which had stayed forgotten on a remote shelf for years. She delved into it, then said suddenly, "Why have you kept this clipping?"

  "What clipping?" I asked abstractedly. I was reading a letter which could lead to an interesting commission.

  "This thing about Mussolini," she said. "I'll read it." She sat on the edge of the desk, the yellowed fragment of newsprint between her fingers. "' Sixteen Italian Communists were sentenced in Milan yesterday for complicity in the disappearance of Mussolini's treasure. The treasure, which mysteriously vanished at the end of the war, consisted of a consignment of gold from the Italian State Bank and many of Mussolini's personal possessions, including the Ethiopian crown. It is believed that a large number of important State it documents were with the treasure. The sixteen men all declared their innocence.'"

  She looked up. "What was all that about."

  I was startled. It was a long time since I'd thought of Walker and Coertze and the drama that had been played out in Italy. I smiled and said, "I might have made a fortune but for that news story."

  "It's a long story," I protested. "I'll tell you some other time."

  "No," she insisted. "Tell me now; I'm always interested in treasure."

  So I pushed the unopened mail aside and told her about Walker and his mad scheme. It came back to me hazily in bits and pieces. Was it Donato or Alberto who had fallen -- or been pushed -- from the cliff ? The story took a long time in the telling and the office work got badly behind that day.

  III

  I met Walker when I had arrived in South Africa from England just after the war. I had been lucky to get a good job with Tom but, being a stranger, I was a bit lonely, so I joined a Cape Town Sporting Club which would provide company and exercise.

  Walker was a drinking member, one of those crafty people who joined the club to have somewhere to drink when the pubs were closed on Sunday. He was never in the club house during the week, but turned up every Sunday, played his one game of tennis for the sake of appearances, then spent the rest of the day in the bar.

  It was in the bar that I met him, late one Sunday afternoon. The room was loud with voices raised in argument and I soon realised I had walked into the middle of a discussion on the Tobruk surrender. The very mention of Tobruk can start an argument anywhere in South Africa because the surrender is regarded as a national disgrace. It is always agreed that the South Africans were let down but from then on it gets heated and rather vague. Sometimes the British generals are blamed and sometimes the South African garrison commander, General Klopper; and it's always good for one of those long, futile bar-room brawls in which tempers are lost but nothing is ever decided.

  It wasn't of much interest to me -- my army service was in Europe -- so I sat quietly nursing my beer and keeping out of it. Next to me was a thin-faced young man with dissipated good looks who had a great deal to say about it, with many a thump on the counter with his clenched fist. I had seen him before but didn't know who he was. All I knew of him was by observation; he seemed to drink a lot, and even now was drinking two brandies to my one beer.

  At length the argument died a natural death as the bar emptied and soon my companion and I were the last ones left. I drained my glass and was turning to leave when he said contemptuously, "Fat lot they know about it."

  "Were you there?" I asked.

  "I was," he said grimly. "I was in the bag with all the others. Didn't stay there long, though; I got out of the camp in Italy in "43." He looked at my empty glass, "Have one for the road."

  I had nothing to do just then, so I said, "Thanks; I'll have a beer."

  He ordered a beer for me and another brandy for himself and said, "My name's Walker. Yes, I got out when the Italian Government collapsed. I joined the partisans."

  "That must have been interesting," I said. « He laughed shortly. "I suppose you could call it that. Interesting and scary. Yes, I reckon you could say that me and Sergeant Coertze had a really interesting time -- he was a bloke I was with most of the time."

  "An Afrikaner?" I hazarded. I was new in South Africa and didn't know much about the set-up then, but the name sounded as though it might be Afrikaans.

  "That's right," said Walker. "A real tough boy, he was. We stuck together after getting out of the camp."

  "Was it easy -- escaping from the prison camp?"

  "A piece of cake," said Walker. "The guards co-operated with us. A couple of them even came with us as guides -- Alberto Corso and Donato Rinaldi. I liked Donato -- I reckon he saved my life."

  He saw my interest and plunged into the story with gusto. When the Government fell in 1943 Italy was in a mess. The Italians were uneasy; they didn't know what was going to happen nest and they were suspicious of the intentions of the Germans. It was a perfect opportunity to break camp, especially when a couple of the guards threw in with them.

  Leaving the camp was easy enough, but trouble started soon after when the Germans laid on an operation to round up all the Allied prisoners who were loose in Central Italy.

  "That's when I copped it," said Walker. "We were crossing a river at the time."
r />   The sudden attack had taken them by surprise. Everything had been silent except for the chuckling of the water and the muffled curses as someone slipped -- then suddenly there was the sound of ripped calico as the Spandau opened up and the night was made hideous by the eerie whine of bullets as they ricocheted from exposed rocks in the river.

  The two Italians turned and let go with their sub-machine-guns. Coertze, bellowing like a bull, scrabbled frantically at the pouch pocket of his battle-dress trousers and then his arm came up in an overarm throw. There was a sharp crack as the hand grenade exploded in the water near the bank. Again Coertze threw and this time the grenade burst on the bank.

  Walker felt something slam his leg and he turned in a twisting fall and found himself gasping in the water. His free arm thrashed out and caught on a rock and he hung on desperately.

  Coertze threw another grenade and the machine-gun stopped. The Italians had emptied their magazines and were busy reloading. Everything was quiet again.

  "I reckon they thought we were Germans, too," said Walker. "They wouldn't expect to be fired on by escaping prisoners. It was lucky that the Italians had brought some guns along. Anyway, that bloody machine-gun stopped."

  They had stayed for a few minutes in midstream with the quick cold waters pulling at their legs, not daring to move in case there was a sudden burst from the shore. After five minutes Alberto said in a low voice, "Signer Walker, are you all right?"

  . Walker pulled himself upright and to his astonishment found himself still grasping his unfired rifle. His left leg felt numb and cold. "I'm all right," he said.

  There was a long sigh from Coertze, then he said, "Well, come on. Let's get to the other side -- but quietly."

  They reached the other side of the river and, without resting, pressed on up the mountainside. After a short time Walker's leg began to hurt and he lagged behind. Alberto was perturbed. "You must hurry; we have to cross this mountain before dawn."